ONE PIECE: Tilly Woodward
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ONE PIECE: Tilly Woodward

 

We asked Tilly Woodward to chose one piece from her current exhibit at Olson-Larsen and share a little more about it. Here's what she had to say about this wonderful piece titled Mango...

Mango, Oil on archival mat board, 11 x 8.5 inches

I love everything about painting.  The way paint smells, the way it moves, captures light, describes a form or surface, the contextual relationship of color.  I love the way painting slows me down and helps me take time to look closely at the nature and mystery of physical objects. It’s a meditative process that I feel lucky to engage in, and helps to remind me to appreciate the beauty of the world.

There is always a story behind my paintings.  For me the objects I paint are not just the objects themselves, but are often embedded with a sense of associated memory and meaning that provides me with a particular point of connection with a specific person. The connection helps me focus and commit to close observation and interpretation through the process of painting. It’s a motivation thing.

Mango, alongside Peach installed at the gallery.

This mango was a beautiful object: it’s size, shape and colors, promised taste, all called to me.  I loved the weight of it in my hand, that it was a fruit with a large seed, and the idea of fecundity, especially as my daughter delighted in her first pregnancy and I recalled my delight at being pregnant with her years ago. It’s form spoke of the changing shape of Adrian’s body, the growth of baby Ira inside her. A reminder that once Adrian was the size of a mango herself, living inside me.

These are the sorts of things the viewer isn’t privy to just by looking at the painting, but hopefully the evidence of love and engagement comes forward through the process of thinking, seeing, feeling, painting. From my hands and into the eyes and hearts of viewers.

Tilly's work is on view through the end of January. 

12/30/2015 12:35 PM |Add a comment
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